Showing posts with label I'm on a boat. Show all posts
Showing posts with label I'm on a boat. Show all posts

Thursday, February 23, 2012

Elephanta Island

One of the few tourist excursions we had planned for our India trip was a visit to Elephanta Island, a historical site on an island in the Mumbai harbor. The caves were used as temples and have carvings depicting Hindu gods; the island itself is named for a gigantic basalt elephant statue (which is now in a museum). Although we were still officially working, and hoping to get some interesting video and photos to use in the project, it was also a chance to have some fun.

We were about to buy tickets from one of the ferry companies with a booth near the Gateway, and found out that the caves are closed on Mondays. Rob had been there before, and assured us there would still be plenty to see, so we paid the fare. Indian tourist attractions have a pricing structure based on nationality, with foreigners paying about five times more than locals for admission to historical sites. It was still quite inexpensive for all of us. I kind of like that locals have to pay less, because it makes these sites more accessible to the general population.

Since the island is about six miles out into the harbor, we had an hour-long boat ride. Photography is not allowed on the boats (by order of the Indian navy), so we didn't take pictures or video on the ride because we are serious rule-followers. Of course, that didn't stop Indians from using their cell phones--especially when a group of seagulls flew alongside the boat, eating the chips some kids threw to them.

Tourist Ferry Boats

Even though I knew to expect to see pollution and garbage in the water, it shocked me when boat passengers threw their empty water and soda bottles, chip bags, and snack wrappers overboard.  It was like a reflex, completely automatic. There was an empty, unused trash can on the boat.

We disembarked onto a small concrete ledge, walked up some steps and were on the pier leading to the island itself. This was the closest we were going to get to the great outdoors on the entire trip, since we were planning to spend the rest of our time in Hyderabad (the 4th most populous city in India). Rob and Biplab stopped to buy cold drinks from a booth on the pier, and then we started the long walk to the stairs leading to the archeological park.

Rob: "You don't have any Mountain Dew? Okay, Coke."

We could have taken the train instead of walking, but we weren't really tired at this point and we wanted to be able to take pictures.  The train reminded us of Deer Acres back home.


 We were greeted by very friendly stray dogs, which tested my willpower regarding my self-imposed "Don't Pet Anything" rule. I think animals seek me out because they can tell that I would take them home with me if I could, and at the very least I will pet them and share my food. The only exception to my benevolence? Snakes. Good thing I didn't see any on the island.


The island has year-round residents, many of whom make their living in part by getting visitors to buy merchandise from their stands. The vendors here sold snacks, hats, clothing, jewelry, statues, toys and a lot of other souvenir items. Everything was reasonably priced, though the quality of items varied widely from one booth to the next. I was completely enchanted, though. I absolutely love buying things from street vendors. I've always been attracted to yard sales, flea markets, thrift stores, etc. because you never really know what's going to be there, and if you don't like the prices you can move on to the next booth.


After this first vendor-gauntlet, we came to a paved area that was a little more open than the previous paths, and I nearly had a heart attack of joy because I saw cows, goats, dogs, and monkeys on the loose and mingling with the crowd. Giving me access to animals is like giving Red Bull to a kid with ADHD--terrifying, slightly dangerous, but hilarious. I wanted to play fetch with the dogs.


I wanted to stare into the rectangular pupils of the goats.
I wanted to pet the cows.













I wanted to high-five the monkeys. All of this, ALL AT ONCE. I know, I am a child. But I've never seen monkeys in the wild, and this was the closest we would get to having an Indiana Jones moment in India.

The sign the monkey is sitting on explains that the island finally got electricity in May of 1989, which helped us maintain a little perspective regarding the infrastructure of India, especially in relation to its population. I was consistently, acutely aware of the differences between India and the U.S., and I have to say that I have great respect for so many aspects of everyday life in India.

I had been warned by various sources that the main crime I had to be concerned about in India was pickpocketing in crowded tourist areas. These monkeys were actually the closest experience we had with petty theft. They were everywhere along the path, jumping from one ledge or building to the next like little acrobats.


I was mostly afraid they would leap onto my back after a trip across one of the tarp ropes. I also didn't know if they would have any interest in the camera.


We watched monkeys snatch drink bottles from people. Some were unsuspecting, but others were willing participants in the monkey-thefts. Biplab's lemonade was only half-empty when it was snatched from him.


And this little guy was guarding his roasted field corn, because there were bigger, badder monkeys nearby. He's sitting on some chairs with long bamboo poles attached to them, which are used to carry tourists up to the caves (for a fee).


This was the monkey-in-chief, apparently. I was slightly afraid of him, because he looked downright menacing when he was picking his teeth and glaring at me. He also swung into the trees above my head and landed on the ledge right next to my elbow in a matter of seconds.

Since it was heading into the late afternoon, many of the booths along the stairway were already closed for the day. And had we known this would be one of our only opportunities to buy inexpensive souvenirs in Mumbai, we probably would have looked more carefully and thoughtfully at what was available. It's hard to think of these things when you're suppressing jetlag. And when you have a long, steep climb to make.



Although some of the stalls sold cheap plastic junk, there were some with handmade items, like this jewelry stand.


Even though the caves and most of the vendors were closed, I still enjoyed trekking up to the top of the hill. Every experience in India was like a gift, and I felt like there was no room for griping or feeling ungrateful, no matter the circumstances. The idea of being there at all was incredible, and I kept reminding myself that since this wasn't a vacation, I had to be content with the moments I had that were vacationish.

Those stairs to the top of the hill seemed to go on forever. They also became progressively steep, which proved challenging for our exhausted  (and out of shape) bodies. Finally, we made it all the way up to look at a closed gate. Rob thought we would at least be able to go into the area near the caves, but everything at the top was closed.


We were thirsty, and a bit sweaty. I paused near the gate to look at the crows convened in the trees above me, and was promptly shat on. Rob followed some men down a trail, only to find that it ended abruptly at a trash-filled ravine, and people were pissing over the edge of it. I could have been annoyed with all of this, but then I turned around and peered through a gap in the foliage to see how far we had come:


Going back down the hill was certainly easier, especially since we decided to buy cold bottles of Sprite and stop in at one of the more established shops to look at carved statues. Although I love haggling and bargaining, I was a little out of practice, so Biplab helped me negotiate with the shopkeeper. I ended up getting an ebony wood elephant for several hundred rupees less than the asking price. Knowing that it had a long journey, the shopkeeper wrapped it in several layers of newspaper and some bubble wrap.

We didn't buy anything else at the shop, although we were sorely tempted by this:


I was under the impression that heat, sunlight, and humidity were bad for film, but what do I know? I didn't check the expiration dates.

When we got to the bottom of the hill, Biplab insisted we take the train to shorten the walk. He was met with no resistance from us, since our calves were beginning to ache from our extended Stairmaster session. We crammed ourselves into the remaining seats at the back of the train. It was an extremely uncomfortable ride, but definitely worth the 5 rupees.

On the ferry ride back to the mainland, we half-slept and enjoyed the slight breeze. We watched the sun start to sink. A submarine surfaced and made its way to port. And then, as we were about to get off the boat, Biplab reached for his phone and couldn't find it. We looked around, and realized we were sitting right above a grate that vented the engine compartment. The phone had slipped out of his hands and fallen below decks, into a puddle. Sigh.


At least the elephant is happy living in my china cabinet.

Tuesday, February 21, 2012

Production: Day 1

Our first full day in India was also our only full day in Mumbai. It was also our only chance to complete all of the shooting with our celebrity host, Biplab. I'm not being cheeky when I call him a celebrity--he's famous in India. And if you can achieve fame in a country with over a billion people, you must be a stand-out guy (which he is).

Once we finished breakfast, we went back to our room to gather our production equipment. Remember, we were going for minimalist-professional here:
  • Two cameras
  • Three lenses
  • Filters
  • A tripod
  • iPad
  • Microphone
  • Audio recorder
  • XLR cable
  • Headphones 
  • Shot list
My job would be to operate the iPad slate/clapper and prompter apps, record audio, take stills, and do anything else Aaron asked me to do; Aaron was in charge of composing shots, shooting the video, monitoring the audio and video results, directing, and otherwise making sure things went as planned.

We met Rob and Biplab in the lobby, then headed out past the security checkpoint to our first daylight encounter with Mumbai. Leaving the hotel is much easier than getting in, but during the day it is more apparent just how seriously they take security at the Taj, because there were at least 12 security guards, bellmen, and other hotel employees stationed outside the building to watch foot and vehicle traffic. Unlike the security personnel we'd encountered at the various airports along the way, these men made eye contact and greeted us, which puts people at ease rather than making them feel like criminals. It also reminded me that while we were safe in the hotel, anything could happen on the streets. It's not that we expected anything bad to happen, we just had to keep in  mind that we needed to look out for ourselves.

The street outside the hotel isn't a busy one, but there was still quite a bit of noise: car horns, horse-drawn carriages (very touristy and all parked near the Taj), vendors selling various types of food and souvenirs, the rasp of brooms from the sanitation workers in the square, pigeons, boats in the harbor. We had expected that it would be hot (the forecast was for 80-90 degrees every day), but since it wasn't humid and there was a slight breeze, the weather was quite comfortable.

Because of changes to security after the terrorist attacks in Mumbai, the entire square around the Gateway of India is fenced in with metal barricades. The single entrance, which is on the opposite side of the square from the Taj, is guarded by military/police personnel, and there are separate lines for men and women. We walked along the sidewalk outside the square through an assortment of beggars, vendors, tourists, and taxi drivers ready to snare people for tours of the slums.

We walked into the middle of the square, with the Gateway directly behind Biplab, and began setting up. A non-uniformed man immediately approached us, telling us that the tripod wasn't allowed. We explained that we absolutely needed it, so Biplab began negotiating on our behalf in Hindi. The conversation was just long enough for us to finish setting up the equipment, but we felt rushed and not fully prepared. It was a little frustrating, but in the moment we knew we would have to work quickly to get all of the shots we needed. Biplab turned to us, informing us we had 10-15 minutes before we'd have to pack it up. The man hovered nearby.

We made the most of our limited time, attempting to get as many good takes as possible before were were forced to shut it down. Biplab's professionalism went a long way in making the shoot go well, because he was as concerned with the quality as we were.

The "Candid Professional" Look
After finishing that part of the shoot, we wandered the plaza to take pictures and look around.

 If you're a Westerner and like yoga and/or Hinduism, it is in part due to this man, Swami Vivekananda.

Statue of Chhatrapati Shivaji Maharaj, founder of the Maratha empire and an important figure in the promotion of Hinduism.

Our equipment often earned us some curious glances; at times, people would stand behind me or Aaron to look at the LCD screen on the camera to see what we were shooting--especially when it was video. Sometimes, we'd look up and they'd instantly look away. We'd often invite people to come closer, to get a better look. People were genuinely curious but also very friendly.


Not a Green Screen!

There was a large group of pigeons in the corner of the plaza, and we took turns getting near them. Despite my utter loathing for pigeons (I had some bad pigeon experiences in Rome and Venice), I posed for a few shots. I also tried to chase them. I tried to catch them. I failed.

After we finished this part of the shoot, we went back to our rooms so Biplab could change his clothes and we could save our footage. I had been carrying around the lock from one of our suitcases in my pocket, and had somehow managed to change the combination. I didn't know that when I put it back on Aaron's suitcase, but he soon found out when he tried to get out the laptop.

 "1...2...3...4...5? That's the stupidest combination I've ever heard in my life! That's the kind of thing an idiot would have on his luggage!

Don't worry, it only took him about 20 minutes to get into it. Sorry, Aaron!

Another part of the shoot involved renting a tourist ferry so we could film the host segments with the Taj and Gateway of India in the background. Rob and Biplab handled booking the boat, working with a friendly guy in a peach silk shirt. We worked it out so we would have about an hour on the water, and we were able to tell the pilot exactly where to "park" for the ideal shots.


The boat shoot proved challenging, in that we had to compensate for both noise and motion. Every once in awhile, a helicopter would fly overhead; we also had the sounds of boat motors. In two instances, we had to wait for a motley crew team in a barely-seaworthy boat to row by, complete with shouted commands and chanting. The ferry boats to Elephanta Island and other large boats produced wakes that made it difficult to stand. Since the Maharashtra State Police Headquarters are located to the right of the Gateway, we had to be careful not to shoot in that direction both in the plaza and on the boat.


The final part of our shoot took place on the roof of the Taj (well, on top of the lobby, actually). Rob and Biplab wrangled us special permission with the PR department of the hotel, and they let us set up in an outdoor banquet area with a great view of the Gateway.


All in all, it was a good first day of shooting. We were given permission to do things that we probably shouldn't have been allowed to do. I suspect Biplab's negotiation skills were a contributing factor in all that.

The day wasn't over, though--we still had some shooting to do on Elephanta Island. That part didn't work out quite so well, but it was one of the only touristy things we were able to do while in Mumbai, so it will get its own post.